CHAPTERS / ARTICLES / ESSAYS / REVIEWS

Low Footprints

A co-edited section (with Lindsay Kelley) of the “trans-genre anthology” Viz. Inter-Arts: Interventions (edited by Roxie Power), documenting the 2008 performance festival “Low Footprints.” Published by Viz. Inter-Arts and distributed by Small Press Distribution. 2016

The Materiality of Duration: Between Ice Time and Water Time,” Performance Research: On Ice, London, Routledge, vol. 18 (6): 113-120. (4,638 words) 2014

“Kanarinka in conversation with Natalie Loveless,” Invited contribution to M. Miranda, Unsitely Aesthetics (Berlin: Errant Bodies Press, 2013): 130-138. (3,560 words)

“How I Teach Performance Art: Statement and Example,” Invited contribution to V. Torrens, How We Teach Performance Art: University Courses and Workshop Syllabus (Denver, CO: Outskirts Press, 2014): 113-117. (2,257 words) 2012

Invited Festival Blogger, 7a*11d International Festival of Performance Art. 
A continuous series of real-time reviews of ten days of international performance art, with twenty performances described and analyzed. 2010

“Affect, Ritual and Materiality in FADO’s Survey From Singapore,” performance event review for FADO Performance Art Critical Writings Series. (3,723 words) 2010

“A Manifesto on Bitterness as a Foundation for the Social,” Invited contribution to Andi Sutton and Misa Saburi (eds.), Better Living Through Bitter Melon (Artist Book) (Boston, MA: Artadia): 80-87. (2,418 words) 2009

“(dis)Organizations: Rethinking the International Performance Art Network,” Invited contribution to Alexander del Re (ed.), Perfopuerto 2002-2007, Arte de Performance en Chile (Ediciones PerfoPuerto: Chile): 190-193. (2,728 words) 2007

“Jamie McMurry’s one-year performance,” experimental review-essay for Aspect: The Chronicle Of New Media Art, Vol. 9; “Performance” (journal produced in DVD format with review essay read as voiceover). 2007

“Staking Performance,” Invited contribution to the online Boston-based art journal Big, Red, and Shiny, Vol. 5. (4,608 words) 2005

“Revolving Responses to MIFPA 2006,” experimental collaborative online “real-time” publication for The Mobius International Festival of Performance Art, Boston, MA (with Carrie Lambert-Beatty, Paul Couillard, and Vassya Vassileva). 2004

“Funerals For A Moment,” experimental review-essay for Aspect: The Chronicle Of New Media Art, Vol. 4; "Text and Language” (journal produced in DVD format with review essay read as voiceover). 2004

“Between (The Performance and its Remnant),” Invited contribution to the online Boston-based art journal Big, Red, and Shiny, Vol. 3. (3,592 words) 2004

“Rose Hill: Works 2001-2003,” Catalogue essay for Rose Hill’s solo exhibition at the Aidekman Arts Center, Medford, MA (Boston, MA: Word of Mouth Publishing). (2,475 words) 2004

“YBAs: Allegories of Artistic Authorship,” Introductory essay for group exhibition at the Aidekman Arts Center, Medford, MA (Tufts University Gallery). (1,899 words) 2003

“Through The Ether/ Durch Den Äther: Marilyn Arsem in Germany,” Invited contribution to the online media arts journal Video Arts Review, Vol. 1. (3,211 words) 2003