Responding to Site
How to Make Art at the End of the World
Knowings and Knots
New Maternalisms: Redux
Practice in the Flesh of Theory: Art, Research and the Fine Arts PhD
“Maternal Dialogues: Loveless and Baggesen in Conversation”
“Maternal Mattering”
“Feminist Intergenerational Inheritance”
“Contemporary Mamactivist Artists”
“Maternal Bodies and Collective Action”
“Mutation and Care in the Anthropocene”
How to Make Art at the End of the World: Introduction
Conclusion: Art at the End of the World
“Collaboration and Ecology: Liz Ingram’s work with Bernd Hildebrandt at Obed Lake”
“Polemics: Short Statements on Research-Creation”
“Practice in the Flesh of Theory”
“The Intimacies of Doing Research-Creation”
“A Manifesto on Bitterness as a Foundation for the Social”